Autore: ChristopherAxworthyMusicCommentary

21 year old polish pianist Artur Haftman ……….justly a standing ovation and foto shoot with encores long after the official concert was over.

Another pianist from Norma Fisher`s remarkable stable from the RCM . Aleksandar Pavlović the young Serbian pianist on Elton Johns piano in the Elgar Room of the Royal Albert Hall today. Originally known as the West Theatre where the first performance ever was given by an RCM student: Mr Barton in1884. And now 130 years later still a venue for some of the remarkable talent being trained at the RCM . From the first note on this not easy piano Aleksandar demonstrated his musical credentials with a beautiful cantabile sound revealing a true ear for balance as well as the real meaning of “peso”. Youthful feelings were at the fore sometimes sacrificing simplicity for youthful passion.The Schumann Kinderszenen deeply felt and some magical moments .Some unexpected slow tempi and fluctuations revealed also a real thinking musician but with a real heart With maturity he will learn how to let his heart beat without interfering with the tempo or fundamental pulse.Not an easy lesson for a young and passionate youth.To let your heart beat in time to the music. Sounds so simple but believe me it is not! Was it not Sir John Barbirolli ,on hearing of criticism of Jacqueline Dupre’s youthful passion ,exclaiming that if you don’t play with passion when you are young what do you pare off later in life. This most improbable looking romantic exclaiming how he loved it………..and so did her adoring public …….it was all we were destined to have.Che meraviglia. Some really beautiful moments in the Schumann but where the problem of the pedals was not always happily resolved. The youthful Brahms F minor Sonata again partly suffered from youthful passion at the expense of allowing the music to unfold simply by this exceptionally talented young man. In the coda of the slow movement the two youths met~Brahms and Pavlovic ,and it was a moment of sheer magic,stage managed with consumate skill. We await with great anticipation what maturity of this already remarkable artist will bring us. Always so admirable how Norma Fisher instills in these superb young pianists ,the importance of roots firmly planted in the ground,allowing the branches to flow in their own particular manner without interfering with their own unique personality. Was it not Chopin who explained this very idea to his own pupils. How lucky these great talents are to have such an expert adviser in their formative years that are so fundamental for a young artist. Hats off!

 What a wonderful surprise in Chinatown today in full celebration for the recent new year ~ the year of the monkey. Here in the centre in what looks like the town hall and is infact the China Exchange where Costanza Principe was giving a lunchtime recital in collaboration with the RAM . Last seen a few days ago in Milan where she was fresh from her Beethoven marathon with our great friend Federico Mondelci ,world famous saxophonist and very fine conductor of the Orchestra Regionale Marchegiana . And here she was on a surprisingly good Boston piano (Steinway) in works by Beethoven ,Janacek abd Schubert. Nice big hall unfortunately not full for an exceptionally musical recital. The rarely heard variations by Beethoven from Das Waldmadchen .Last heard in the hands of Richter forty years ago at the Festival Hall. How right he and now Costanza were to play these beautifully constructed variations .Some beautifully shaped playing never lacking in Beethovens inevitable rhythmic energy. Unjustly neglected Janacek Sonata 1905 .Some really beautifully suggestive sounds and unmistakable musical personality made this a really refreshing and intelligent breath of fresh air between the two works of Beethoven and Schubert. The drei Klavierstucke followed. Conceived as a whole but never missing the nuances and intricate detail in the three long movements. Usually one of the most difficult of Schuberts major works to digest such was the innate musicality and intelligence of Costanza `s subtle piano playing the work seemed much shorter than usual. In fact the hour recital seemed to pass so quickly such was the concentration on purely musical details offered that the enthusiatic audience would have gladly listened to more. No encore offered and we will just have to wait for the next occasion to hear this beautiful young pianist again.

Just made it to the Wigmore for the Musicians Company Concert withYoon Kyung Cho ,cello and Anna Szalucka ,piano. Some very fine duo playing in Prokofievs sonata op 119 .The unexpected lyricism of this sonata, written for Rostropovich and Richter and first performed in 1950,was matched by some beautifully characterised playing with both artists totally absorbed in their music making together .Some beautiful rich cello sounds matched by some equally fine playing from the piano,both totally identifying with Prokofievs sound world.I was just sorry to have missed their Debussy Sonata having been detained for an equally rewarding musical experience at the RAM with some fine trio playing.Anna too is from the RAM as I was years ago . Four mazukas for solo piano were beatifully played by Anna who totally identified with her fellow Polish compatriot Karol Szymanowski. I well remember Artur Rubinstein adding these four mazurkas in the middle of an all Chopin programme.And so it was with Annas other solo work Chopin`s fourth ballade. But wheras Rubinstein taught us that the true way to the heart of Chopin is simplicity and nobility it was here that Annas total identification did not allow the music to talk with the simplicity that can make this work the monument that the composer intended The encore the famous Melodie from Thais was played with great style , here never allowing the music to become sentimental and the glorious sounds from the cello were matched by the subtlety of the piano and was greeted by great approval from a numerous enthusiastic public.

What better way to spend Valentines day than a coffee concert in the Elgar room at the Royal Albert Hall. Everything red starting with Elton Johns Red Piano Tour piano right down to the red coffee cups. Luka Okras just married playing a superb programme of Debussy,Rachmaninoff,Schumann and Liszt. The silence that greeted the end of the Kinderscenen said it all.The Poet Speaks and thus it was .Such was the way he let every piece speak in a deceptively simple way ,the packed out Elgar Room were mesmerised by this poet of the piano. Right from the first work Childrens Corner it was clear that we were in for a very special concert from a real musician.Little were the public aware,quite rightly so,of his mastery of the pedals on this not easy piano bequethed to the hall by Marksons Pianos. We were not without fireworks too in Rachmaninoffs scintilating Moment Musicaux n.4 or the virtuosity in Liszts old warhorse of Second Hungarian Rhapsody…no idea who the cadenza was by ,but it brought the house down and I think a smile of approval from Elgar. I was hoping indeed for Salut D`Amour today of all days . Instead we got a magical performance of Bach/Siloti Prelude in B minor . Wonderful choice of programme much appreciated by all present and indeed having been a bit perplexed by a previous performance of Luka s of much bigger works now I am completely won over .Not only the choice of repertoire but maybe the choice of a companion for life has made all the difference. I like to think so on today of all days as I rush to lunch with my much adored 103 year old Valentine today! Once again Canan Maxton always present to support in person another from her remarkable stable. They do say that birds of a feather flock together.

Hin -Yat Tsang`s Birthday Concert. I well remember Eleanor Wong`s rigorous Beethoven all those years ago at the RAM when she in her final year sought out a fresher to try out her programmes on. Eleanor was Hin Yats first teacher in Hong Kong where she founded and runs the International Piano Competition. Her teacher,and my mentor and admirer ,Frederick Jackson.A remarkably complete musician whose dream was to conduct the Verdi Requiem. As our contemporary Graham Johnson reminded me recently a dream come only partly true as he suffered a heart attack during his performance in the Dukes Hall.

Some remarkable Hausmusik in the noblest of traditions at St Barnabas in Ealing today. A retired doctor shared his tireless enthusiasm with his numerous and discerning public in this very large church with an amazingly good acoustic. Hugh Mather recently celebrated his one thousandth concert in St Barnabas and St Marys in Ealing and Perivale .Both venues very well known to all the great young aspiring talents that Dott Mather has taken under his wing during his retirement from medicine. On his beautiful Bosendorfer grand Dott Mather caressed the opening melody of Schubert`s Arpeggione that left no doubt to his considerable musical skills.Skills that were matched on this occasion by Jamal Aliyev one of the finest young cellists of his generation.A real musical conversation where the quite considerable musical problems of this masterpiece were swept aside in music making of such immediacy and mastery that it was a privilege to be present on such an intimate occasion. The last movement played with such charm and wit one almost wanted it never to stop.How much he enjoys playing with Dott.Mather Jamal confided afterwards swept along by his irresistible passion for music. In Dott Mathers charming introduction to Beethoven’s monumental last cello sonata he let slip that after one of the most sublime Adagios ever written Beethoven decided to end with one of his most treacherous fugues. Confiding in the more than fifty year difference in age between he and Jamal he said he would give it a go and hope for the best. He need not have mentioned it because so carried along by their real music making we were not aware of the enormous terror that this work holds for all that attempt to conquer its secrets. Another tireless supporter of young talents Canan Maxton was present as always for her stars from the stable of her Talent Unlimited a charity she founded to help all these amazing young talents that seek only an audience. Charity begins at home they say and this is very much the home of Dott.Mather and his remarkable team dedicated to providing just such a platform. In fact invigorated by his Beethoven he enthusiastically announced next friday the annual concert of the intercollegiate Beethoven Competition winner,Ilya Kondratiev .Another wonderful way to spend lunchtime in this remarkable musical oasis and like Jamal another of the stars helped by Talent Unlimited. How much these young artists owe to these two indefatigable promoters of great talent in the making.

Anna Fedorova literally flew into LSE today and swept everything in her way off their feet. What progress since her very fine recital here last year as a promising student to the transformation into a great artist.

Concert at the Romanian Culturale Institute in Belgrave Square,packed out for the first collaboration with the Keyboard Charitable Trust in a concert billed as a Piano Tour de Force to celebrate that remarkable musician George Enescu. Two of the KCT`s finest pianists Evgeny Genchev and Mihai Ritivoiu in a real feast of virtuoso piano works by Bach,Chopin,Liszt ,Vine ,Silvestri and,of course Enescu. The majestic Overture in a French style with Evgeny that opened the concert contrasted well with Carl Vine`s Toccatissimo with Mihai,written as a trial of fire for the Sydney International Piano Competition. The sharp well defined rhythms brought to life by the two young virtuosi with a real sense of urgency and impulse but never lacking in sharp dynamic contrasts. The overt virtuosity of the Vine superbly brought to life with real feats of dexterity from delicate pianissimi to overpowering fortissimi ,never a harsh sound from this young musician always with a clear sense of line . The virtuosity was less evident in the Bach of Evgeny ,but anyone who knows these pieces will have appreciated the real tour de force needed to bring this neglected masterpiece to life. Two Enescu pieces: Mihai with the Pavane and Evgeny with the unpublished Regrets ,gratefully sent for the occasion by the Enescu Foundation. The music has much in common with that other polyhedric genius Ferruccio Busoni and reflects very much the period it was written . Evgenys beautifully suggestive sound palate suited Regrets and led to some very refined music making and for us with the wish to hear some more of these much neglected works. Mihais Pavane was more down to earth which may have been indeed a later less romantic piece. And now the two great romantic works on the programme Chopin`s Polonaise Fantasie op 61 and Liszt`s Dante . In this beautiful house in one of London’s most elegant squares it must have been reminiscent of the duel between the great virtuosi of Liszt`s day. Mihais Chopin perhaps more fantasy than polonaise but playing of such refinement as to be reminded that these masterworks are indeed canons covered in flowers . Evgenys Dante had all the diavolism that Liszt himself must have demonstrated coupled with some sublime contrasts that put the much played work into its true perspective as one of Liszt` s true masterpieces. The duel now over the fun could begin with our two young virtuosi joining forces,four hands on one piano for Constantin Silvestri`s Romanian Dances from Transylvania. Reminiscent of Bartok I well remember Silvestri as conductor of the Bournemouth Symphony Orchestra and at the RFH and it was interesting to be reminded of what a real musician meant in days not so far away every bit as reminiscent of the kappelmeister of Bachs time. These dances played with real” joie de vivre” now the concert was drawing to a close and a very insistent public were rewarded with a repeat performance of one of the more energetic dances. Great success was crowned with drinks in the beautiful wood panelled library of this magnificent Romanian Institute We look forward to many more such enjoyable and instructive evenings in the future