Jonathan Ferrucci – Goldberg Variations a voyage of discovery

As Jonathan Ferrucci says a lifetime may not be enough to enter completely into the genial mind of J.S.Bach.One can but try and this is the start of a remarkable voyage of discovery.On his fifth public performance in Florence last winter I think that from the spell he created it was evident enough that he is on the right trail.Seventy five minutes of total silence from an elite audience surrounded by the books of that remarkable aesthete Harold Acton.Jonathan like Acton was born in Florence both bringing back their experiences from abroad to the cradle of culture in what Rostropovich described as the Museum of the World.Jonathan is now being mentored by Angela Hewitt who has indeed inherited the mantle of Rosalyn Tureck as the High Priestess of Bach. Rosalyn Tureck came to Florence in the 90’s when she was 78 to play these very variations at La Pergola and she became immediately the ‘Diva’ of Florence.This mantle has now passed to Angela Hewitt whose approach to Bach is more human and less monumental than Tureck but their total dedication allows them to get as close as is possible to the core of the genius of J.S.Bach.Jonathan is fast on this trail too as the minutes of aching silence that greeted the end of the Goldberg in Florence was proof enough.His performance has the authority of someone who is living with the music and it is gradually but surely entering his being as it directs his spirit to the glory of the soul of Bach which is of course To the Glory of God!


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