Andrzej Wiercinski in Warsaw Sfera Sacrum Easter Festival

Warsaw Philharmonic – Chamber Music Hall

Piano Recital

Andrzej Wierciński – piano

Playing of crystalline clarity by Andrzej Wiercinski in the Beethoven-Penderecki Sfera Sacrum Easter Festival
From Scarlatti of such jewels with rays of light just sparkling from his wonderfully agile fingertips.
A Litanei by Schubert in a sumptuous transcription by Liszt played with truly heartrending delicacy contrasting with the transcendental fireworks of the A minor Paganini study.
Has Red riding hood ever had a more terrifying journey than with his Rachmaninov op 39 n. 6 Etude Tableau?
And I would never like to climb Ligeti’s Diabolic Staircase with this expert climber where even watching from the sidelines left one completely breathless.
But a Chopin B Minor Scherzo played with such mastery where Chopin’s extraordinary opening exuberance dissolved into the most sumptuous sounds and colours as he shaped the passionate contours as only a true native musician could.The beautiful Polish folk song that Chopin quotes in the central section was played with a magical sense of balance that seemed to give the piano a golden sheen before the final outburst of quite transcendental playing.
Rachmaninov’s Corelli variations were given an extraordinary performance of beauty and exuberance that I have already spoken about in a previous recital together with his recital that was so unforgettable last summer

Domenico Scarlatti

Sonata in D minor, K. 1

Sonata in C major, K. 159

Sonata in G minor, K. 450

Franz Schubert (ar. Ferenc Liszt)

Litanei (Auf das Fest Aller Seelen), D. 343

Ferenc Liszt

Étude No. 6 in A minor from Grandes études de Paganini, S. 141

Sergei Rachmaninov

Étude No. 6 in A minor from Études-Tableaux, Op. 39

György Ligeti

Étude No. 13 „L’escalier du diable

Fryderyk Chopin

Scherzo in B minor, Op. 20

Sergei Rachmaninov

Variations on a Theme of Corelli, Op. 42

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