I have heard and admired Dinara Klinton many times and am always astonished at the beauty of sound and clarity of thought of this amazing young artist.
Even more so today knowing – only after the concert- that she had shut her finger in the bus door on the way to the concert!
It meant a painful time for her but such is her professionality we were never aware of anything except the sumptuous feast of music that she treated us to today.
Starting this full length afternoon recital at St Mary’s Perivale with a twenty five minute feast of Tchaikowsky.The famous Humoresque op 10 I have heard before but never the Nocturne that precedes it.
From the very first notes there was a magical liquid sound and some very subtle counterpoints to the poignant flexibility of the melodic line in the Nocturne.
Ending in a whisper it paved the way for the famous Humoresque.
With a teasing sense of rhythm and a kaleidoscope of subtle colours and pianissimi of exquisite charm ending in a veritable puff of smoke.
The Valse Sentimentale op 51 n.6 is full of that typical yearning ,nostalgia that is so much part of the Russian spirit.This too was played with a quite irresistible charm.
The deep lament of the Meditation op 72 was played with such subtle colouring.
Great rhetorical sentiment and a quite magical trill to end.
The Andante-Maestoso from the “Nutcracker Suite” in the Pletnev arrangement closed this group of pieces by Tchaikowsky.A great virtuoso transcription in which Dinara with her noble sense of balance and fearless virtuosity swept up and down the keyboard with breathtaking splashes of sound.Her complete control of balance and sumptuous sense of colour brought this group of salon pieces to an astonishing end in the style of the great pianists of a bygone age.
The first half closed with the Sonata n.4 in C minor op 29 by Prokofiev.
The absolute clarity and control from the first sinister bass notes took us so clearly to the final burst of startling mettalic final chords of the first movement .The relentless throbbing of the second movement in which the magical melodic line is allowed to float led to a frenzied climax.The diabolic virtuosity of Prokofiev in the last movement with its scherzo type melody ,so typical of these early sonatas .was played with a drive and startling sense of inevitability.Dinara had guided us through this maze of sounds with an unusual clarity and sense of direction.
Una risposta a "The “Grand” Piano of Dinara Klinton"